No, despite the allusion to the Daniel Day-Lewis led film, there will not be literal blood spilled in this week’s #NewMusicFriday post. However, there is a surprisingly strong blood theme going on for whatever reason. This week’s releases were not significantly abundant or monumental, but the singular purchase I made this week was well worth it, Lianne La Havas’latest album Blood.
Lianne’ssophomore album is an artful piece of soulful new music. The album has a number of solid guest producers who each worked on a track or two to create some very successful tracks. The album is led by the single Green & Gold with the help of producer and neo-soul singer Jamie Liddell but there is much more to this album. With vocal talents akin to Alicia Keys, you expect to hear some powerful singing throughout the album and that is exactly what you get.
A perfect example of this is the opener Unstoppable which was produced by Paul Epworth. With the big production of Epworth partnering with (but carefully, not overtaking) La Havas’ voice the song is neo-soul pop gold. La Havastraveled to Jamaica to reconnect with her roots on this album and her trip directly lot of the music found on the album. When interviewed, she stated she should have just recorded the entire album in Jamaica for the amount of inspiration she received from the trip
What You Don’t Do is one that can’t be missed with both fabulous singing, solid rhythm and a clever take on a relationship on the rocks. I could go on highlighting the vocals of every track on this album, but I’ll let you go discover that for yourself. I will tell you though, do not skip Midnight.
With a voice like hers, its tough to not highlight every song. The album offers both high and low-energy tracks and a number of musical arrangements, (with my personal favorites where a horn section is involved) and the ever-dominant voice from Lianne. There have been a number of incredibly powerful female vocalists coming out of the UK of late, from Lianneto AdeletoLaura MvulaandElla Eyreand the world couldn’t be happier. Lianne La Havas’much-anticipated sophomore album is well worth the wait and more than a few listens.
It’s a singles kinda of world we live in now, so let’s focus on some of the singles shared this week as well. First, we have a surprisingly good single from one of the most unlikely of artists to show up on The Audiophile, Carly Rae Jepsen. The track was produced by Rostam Batmanglij (of Vampire Weekend) and you can really hear his influence on the track.
And then there were new music videos popping up left and right on the internet this week. First we have a video for the Foalsexcellent new single Mountain At My Gates which was shot on a GoPro under the direction of Foals go-to Nabil with a crafty interactive 360-degree video.
Lastly, we have a rework by Aussie Chet Faker, who reworked his track 1998 from his 2014 album Built On Glass to now featureBankswith both a new verse and vocal harmonies.
And now, as always, here was everything acquired on this New Release Tuesday:
We are four weeks into March and the music just keeps coming. While most of the US spent this past weekend fretting over basketball brackets, the music industry was scheduling music delivery for today. Am I complaining? Heck no! This week marked my biggest haul of the year so far, with 7 albums purchased (5 of which released this week). I felt the urge to buy everything that came out this week, and that’s a great thing to say for the music industry. Well, who needs a long introduction, let’s just get into the music already, right?
The Australian songstress is just that. Exploding on the scene in 2013 and releasing a double EP last year, her first official LP hits with as much ferocity as the previous releases. Courtney has already become known for her deadpan storyteller delivery and her imaginative, self-deprecating lyrics. Sometimes I Sit And Think, And Sometimes I Just Sitfollows in the same footsteps in terms of writing style and maintains that fuzzy garage-styled aesthetic sound. The album is an enjoyment to listen to and features the lead single Pedestrian At Best.
There is much more than just that track however. I thoroughly enjoyed An Illustration Of Loneliness (Sleepless In New York) and the track Depreston is getting a lot of airplay which will probably result in it being named the second single (if not already).
The entire album is a work of master craftsmanship for something that has been termed “slacker rock”. Courtney is far from lazy on the album and apparently was the talk of the town this past week at SXSW. I also can’t pass up the opportunity to talk about a song on the album named Debbie Downer.
When you pen a song and name it after a familiar trope that spurned a hilariously over-the-top SNL skit, how can you not succeed? The most ironic part of the track is that it is quite the uplifting and happy song, completely counter-intuitive to its title. It’s simple things like this that show off Courtney Barnett’s wit and clever songwriting. She doesn’t utilize complicated licks or even instrumental solos, but prefers simple transitions and easily replicated riffs to aid the listener in honing in on the important parts of her music, the words. In perfect contradiction to my previous sentence, I also enjoyed the track Nobody Really Cares If You Don’t Go To The Party, which sure enough, has a small (yet still there) guitar solo in it. Discover the rest of the album for yourself, I can assure you, it won’t be a waste of your time.
Next on the list today is another début full-length album. This one comes from Big Datawith their album 2.0.
There is much more to this album however. The electro-pop producer intended to capture a humans vs. technology theme on the album, and he pretty much succeeded. Loaded with features, including the likes of Jamie Liddell, Rivers Cuomo(of Weezer), Kimbra, Twin Shadow, Bear Hands, and even Jenn Wasner (of Flock Of Dimesand Wye Oak) each track has a unique feel to it. The underlying connection however is the supporting instrumentation, put together by Harvard grad and primary creative lead for the group Alan Wilkis. The lone track not including a feature is the track Big Dater and is a effects-laden track, computerized bass-heavy track which even includes a bridge featuring the original internet dial-up sound (remember those AOL disks anyone?)
His foot-stomping début features the lead single Hold Back The River which has (as of 03.24.2015) over 41 million streams on Spotify already. Based on those numbers, if you have yet to hear him on radio, you aren’t listening.
The album is much more than just that single track however. The opening track Craving is a high-energy heartfelt track that gives the listener an immediate example of what to expect on the entire album. Let It Go (no it’s not a Frozen cover) was the buzz track from his EP of the same name that truly broke the English boyonto the scene.
The boy really has some pipes on him, and just enough rasp to add a bit of sex appeal. Meanwhile, tracks like If You Ever Want To Be In Love and When We Were On Fire add a wholesome and happy summer vibe to the album. The album ranges from softer, soulful ballads like Move Together and Scars to the upbeat romps like Best Fake Smile and . The album is folk/country pop through and through. It’s been produced in a way that it is easily digested by the mass audiences that you can hear in similar music from the likes of Ed Sheeranand Kid Rock. Is this a bad thing? Yes and no. James Bayis talented, without a doubt, and it is a bit of a shame that he has been shaped into this pop mold, but you can tell his live show has to be top-notch. He sings with too much raw emotion not to perform well live. Outside of the out-and-out singles from the album (which are stellar), my next favorite track is probably Collide. It has that classic Rhythm & Blues feel to it with the keys that takes you back to all the great original rockers. This album is definitely a Summer album and going to get a lot more spins as the weather heats up and more time is spent outdoors.
Lastly, we’ve got the physical release from everyone’s favorite kooky Icelandic lady, Björkwith her album Vulnicura.
The album featured two images (shown above) with the first one being the official album cover, and the latter being the cover sleeve. After the album leaked online more than a month ahead of the official release, Björkreleased it online for purchase, but refused to post it publicly on Spotify for streaming purposes. The album itself features the lead single and kickoff track Stonemilker. The track features a full orchestra and utilizes classical volume transitions to add a level of depth that is too often forgotten about in the new music of today. The album features only 9 tracks, but the album comes in at just under an hour in length (0:58) with all but two songs being 6 minutes or longer. In reality, a majority of the album is orchestral based, and this is personally a welcome change of pace to listen to in today’s Indie/Electronic/Underground/Pop/Rock environment. I also thoroughly enjoyed the tracks Lionsong, Family, Atom Song (which is the only track on the album which features additional vocalists) and Black Lake. If you can find them online, I strongly urge you to listen to them.
Björkis definitely not for everyone, and I did not really take a liking to her music until relatively recently, but if you do quirky, complexly comprised musical structures outside of your standard 4/4 meter, you could definitely find joy in this album.
At this time, I will skip over the other albums I picked up today, but that is not because they are not worth mentioning. Each of the remaining purchases from today is worth more than one listen and could easily make the end-of-the-year Best Of… lists. Also, in an apparent oversight, I missed out on picking up the new album from Washington all-girl group Chastity Belt but did listen to it today on Spotify and it is definitely worth a listen as well.
Finally, I will leave you with a track that will be featured on the upcoming new album from the Brooklyn-based band San Ferminwhich, from the sound of the single, may go in a vastly different direction than their début album.
And now, as always, here was everything acquired on this New Release Tuesday:
Audiophile : Akwitz 