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New Music Tuesdays – March’s Madness Edition


Musicheads,

We are four weeks into March and the music just keeps coming.  While most of the US spent this past weekend fretting over basketball brackets, the music industry was scheduling music delivery for today.  Am I complaining? Heck no!  This week marked my biggest haul of the year so far, with 7 albums purchased (5 of which released this week).  I felt the urge to buy everything that came out this week, and that’s a great thing to say for the music industry.  Well, who needs a long introduction, let’s just get into the music already, right?

We start with what has to be the album of the week, and a definite Album Of The Year contender, Courtney Barnett’s début full-length LP, Sometimes I Sit And Think, And Sometimes I Just Sit.

The Australian songstress is just that.  Exploding on the scene in 2013 and releasing a double EP last year, her first official LP hits with as much ferocity as the previous releases.  Courtney has already become known for her deadpan storyteller delivery and her imaginative, self-deprecating lyrics.  Sometimes I Sit And Think, And Sometimes I Just Sit follows in the same footsteps in terms of writing style and maintains that fuzzy garage-styled aesthetic sound.  The album is an enjoyment to listen to and features the lead single Pedestrian At Best.

There is much more than just that track however.  I thoroughly enjoyed An Illustration Of Loneliness (Sleepless In New York) and the track Depreston is getting a lot of airplay which will probably result in it being named the second single (if not already).

The entire album is a work of master craftsmanship for something that has been termed “slacker rock”.  Courtney is far from lazy on the album and apparently was the talk of the town this past week at SXSW.  I also can’t pass up the opportunity to talk about a song on the album named Debbie Downer.

http://www.nbc.com/saturday-night-live/video/debbie-downer/n11825

When you pen a song and name it after a familiar trope that spurned a hilariously over-the-top SNL skit, how can you not succeed?  The most ironic part of the track is that it is quite the uplifting and happy song, completely counter-intuitive to its title.  It’s simple things like this that show off Courtney Barnett’s wit and clever songwriting.  She doesn’t utilize complicated licks or even instrumental solos, but prefers simple transitions and easily replicated riffs to aid the listener in honing in on the important parts of her music, the words.  In perfect contradiction to my previous sentence, I also enjoyed the track Nobody Really Cares If You Don’t Go To The Party, which sure enough, has a small (yet still there) guitar solo in it.  Discover the rest of the album for yourself, I can assure you, it won’t be a waste of your time.

 

Next on the list today is another début full-length album.  This one comes from Big Data with their album 2.0.

Yes, that is in fact the album cover pictured above.  The début features the tracks you no doubt have more than likely heard on major radio by now, Dangerous (feat. Joywave) and possibly even The Business Of Emotion (feat. White Sea).

There is much more to this album however.  The electro-pop producer intended to capture a humans vs. technology theme on the album, and he pretty much succeeded.  Loaded with features, including the likes of Jamie LiddellRivers Cuomo (of Weezer), KimbraTwin Shadow, Bear Handsand even Jenn Wasner (of Flock Of Dimes and Wye Oak) each track has a unique feel to it.  The underlying connection however is the supporting instrumentation, put together by Harvard grad and primary creative lead for the group Alan Wilkis.  The lone track not including a feature is the track Big Dater and is a effects-laden track, computerized bass-heavy track which even includes a bridge featuring the original internet dial-up sound (remember those AOL disks anyone?)

 

Next, we’ve got the “next big thing” in the terms of the potential of following in the footsteps of a Phillip Phillips or Vance Joy type musical character (although Spotify wants to tie him to Foy Vance, Ed Sheeran and Ben Howard), Mr. James Bay.  His début album out this week is Chaos And The Calm.

His foot-stomping début features the lead single Hold Back The River which has (as of  03.24.2015) over 41 million streams on Spotify already.  Based on those numbers, if you have yet to hear him on radio, you aren’t listening.

The album is much more than just that single track however.  The opening track Craving is a high-energy heartfelt track that gives the listener an immediate example of what to expect on the entire album.  Let It Go (no it’s not a Frozen cover) was the buzz track from his EP of the same name that truly broke the English boy onto the scene.

The boy really has some pipes on him, and just enough rasp to add a bit of sex appeal.  Meanwhile, tracks like If You Ever Want To Be In Love and When We Were On Fire add a wholesome and happy summer vibe to the album.  The album ranges from softer, soulful ballads like Move Together and Scars to the upbeat romps like Best Fake Smile and .  The album is folk/country pop through and through.  It’s been produced in a way that it is easily digested by the mass audiences that you can hear in similar music from the likes of Ed Sheeran and Kid Rock.  Is this a bad thing?  Yes and no.  James Bay is talented, without a doubt, and it is a bit of a shame that he has been shaped into this pop mold, but you can tell his live show has to be top-notch.  He sings with too much raw emotion not to perform well live.  Outside of the out-and-out singles from the album (which are stellar), my next favorite track is probably Collide.  It has that classic Rhythm & Blues feel to it with the keys that takes you back to all the great original rockers.  This album is definitely a Summer album and going to get a lot more spins as the weather heats up and more time is spent outdoors.

Lastly, we’ve got the physical release from everyone’s favorite kooky Icelandic lady, Björk with her album Vulnicura.

The album featured two images (shown above) with the first one being the official album cover, and the latter being the cover sleeve.  After the album leaked online more than a month ahead of the official release, Björk released it online for purchase, but refused to post it publicly on Spotify for streaming purposes.  The album itself features the lead single and kickoff track Stonemilker.  The track features a full orchestra and utilizes classical volume transitions to add a level of depth that is too often forgotten about in the new music of today.  The album features only 9 tracks, but the album comes in at just under an hour in length (0:58) with all but two songs being 6 minutes or longer.  In reality, a majority of the album is orchestral based, and this is personally a welcome change of pace to listen to in today’s Indie/Electronic/Underground/Pop/Rock environment.  I also thoroughly enjoyed the tracks Lionsong, FamilyAtom Song (which is the only track on the album which features additional vocalists) and Black Lake. If you can find them online, I strongly urge you to listen to them.

Björk is definitely not for everyone, and I did not really take a liking to her music until relatively recently, but if you do quirky, complexly comprised musical structures outside of your standard 4/4 meter, you could definitely find joy in this album.

At this time, I will skip over the other albums I picked up today, but that is not because they are not worth mentioning.  Each of the remaining purchases from today is worth more than one listen and could easily make the end-of-the-year Best Of… lists.  Also, in an apparent oversight, I missed out on picking up the new album from Washington all-girl group Chastity Belt but did listen to it today on Spotify and it is definitely worth a listen as well.

Finally, I will leave you with a track that will be featured on the upcoming new album from the Brooklyn-based band San Fermin which, from the sound of the single, may go in a vastly different direction than their début album.

And now, as always, here was everything acquired on this New Release Tuesday:

and be sure to follow on Facebook and on Twitter @AudiofileAkwitz to get even more music updates that don’t make the posts.

Spotify Playlists:

-Akwitz

Now Playing: San Fermin – Jackrabbit


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The Great Festival Review – 2015


Musicheads,

We’ve been bombarded of late with all the reveals of a ton of festivals across the US and their lineups with much fanfare, but how do they all compare?  While each year the festival circuit is mostly a lot of the same artists, let’s review and see which offers the “best” lineup and what is unique to each of them.

Well first let’s take a look at all the posters lined up side-by-side:

Coachella (Indio, CA)

Unique Acts: Steely Dan, AC/DC

Governor’s Ball (NYC, NY)

Unique Acts:  Björk

Bonnaroo (Manchester, TN)

Unique Acts: Billy Joel, Mumford & Sons

Hangout (Gulf Shores, AL)

Unique Acts: Foo FightersZac Brown Band, Foster The People, Paramore

Boston Calling (Boston, MA)

Unique Acts: Ben Harper & The Innocent CriminalsTenacious D, Vance Joy

Shaky Knees (Atlanta, GA)

Shaky Knees 2015 Lineup Poster

Unique Acts: Old Crow Medicine Show, Neutral Milk Hotel

Counterpoint (Kingston Downs, GA)

CounterPoint Music Festival 2015 Lineup Poster

Unique Acts: The Roots

Mountain Jam (Hunter Mountain, NY)

Unique Acts: Gov’t Mule

Eaux Claires (Eaux Claires, WI)

Unique Acts: Bon Iver, The National, Sufjan Stevens

New Orleans Jazz & Heritage Festival (New Orleans, LA)

Unique Acts: Elton John, The Who, Jimmy Buffett, Tony Bennett & Lady Gaga, John Legend, Ed Sheeran

Big Guava (Tampa, FL)

Unique Acts: Passion Pit

Sasquatch! (Gorge, WA)

Unique Acts: Of Monsters & Men

Firefly (Dover, DE)

firefly 2015

Unique Acts: The Killers, Kings of Leon, Snoop Dogg, Paul McCartney

Forecastle (Louisville, KY)

Unique Acts: Sam Smith

Lollapalooza (Grant Park –  Chicago, IL)

Lollapalooza Announces Lineup

Unique Acts: Metallica

Osheaga (Montreal, Quebec, Canada)

Unique Acts: Edward Sharpe & The Magnetic Zeros

Outside Lands (San Francisco, CA)

Unique Acts: D’Angelo and the VanguardNate Ruess

Summerfest (Milwaukee, WI)

image

Unique Acts: a lot!  Check out the headliner video here:

 

Then there are the artists and bands that are practically living on the festival circuit this year.  Here are just a few of the big name recurring acts: Modest Mouse, St. Vincent, Tame Impala, Spoon, Chromeo, TV On The Radio, Ryan Adams, Florence & The Machine, Robert Plant, Odesza and My Morning Jacket.

 

Props go out to a few of these festivals however which really do stand out from the crowd for their uniqueness: both the inaugural Eaux Claires (put together by Justin Vernon of Bon Iver), and the New Orleans Jazz & Heritage Festival offer vastly different musical lineups to them then all the other festivals this year.

If you are a fan of The Strokes, you’ve got only two options this year: Big Guava in Tampa, FL or Shaky Knees in Atlanta, GA.

What about the Grammy-winning Beck? He’s only headlining two spots as well: Hangout Festival down on the beach of Gulf Shores, AL or up at Boston Calling in the town of the same name.

Foo Fighters fans? If you aren’t gonna make the trip to go to Glastonbury this year, Hangout Festival is your only shot to catch Dave Grohl and Co. stateside (but then again, they may end up headlining Lollapalooza, ya never know)!

 

So with all the festival lineups out there now, which seems like the best bang for your buck?  It’s mostly a toss-up this year as to where your musical preferences lie.  Coachella has one of its strongest lineups in years, and Bonnaroo always puts out a fantastic lineup.  Firefly still has that mysterious final headliner which we can all but expect to see filled with the name of one of The Beatles.  If you take a look at Governor’s Ball, it doesn’t have the most unique of festival lineups, but it may in fact have the most solid one throughout.  Mountain Jam is more jam band-centric, while Counterpoint is all about the EDM.  If it’s about the atmosphere, Hangout Fest can’t be beat as it is literally on the beach, but Sasquatch! up at The Gorge could quite possibly give it a run for its money.

 

-Akwitz

Now Playing:  Eric Prydz VS CHVRCHES – Tether


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New Music Tuesdays – Self-Titled Edition


Musicheads,

This week boasted a lot of releases from a variety of genres.  You had UK-pop star Ed Sheeran release his sophomore album which features a track with the ever-present Pharrell on Sing.  Also out this week was new music from jam band Phish with their first studio album in years.  Also out this week was the début album from another pop group, SomeKindaWonderful who have made a name for themselves with the buzz track Reverse.  On the other side of the spectrum you have heavy rockers Mastodon releasing new music as well as R&B artist How To Dress Well.  All that is well and good, but what did I pick up?  Well then, let me get to that.

First up on the acquisition list is the a band from Baraboo, WI, Phoxwith their début self-titled album PHOX

Phox actually happened to be my Artist Of The Week this week over at Everything Random so I’m going to steal a lot of what I wrote there for my album review.  Hailing from the great state of Wisconsin, Phox is a fresh face on the folk pop forefront.  The sextet has a bright and vibrant sound, often orchestral in their instrumentation.   The album was featured on NPR Music’s: ‘First Listen’ segment (here). Propelled by lead single Slow Motion with its incredibly melodic and expansive sound, and with the catchy occasional whistling, the album is due for tremendous critical and audience acclaim.  Lead singer Monica Martin’s vocal performances are dreamy and delightful, as the mid-tempo tracks rise and fall with her voice, often surrounded by ethereal harmonies and fantastic arrangements.  The album’s second single, 1936, is another piece of gentle artistry and worth a listen or two.  Overall the album is fun and light and enjoyable.  Be sure to check these folks out and expect to hear more from them soon.

Next, I acquired another début album Kitten by a band of the same name, Kitten.

The album feels like an homage to 80’s glam pop.  If Madonna were still making hit pop music today, there’s a good chance it would sound very similar to this album.  Not only that, but the album cover even looks similar to the Material Girl. The album does offer a fantastic single in G# however.  This song, which featured on her début EP and was utilized as her buzz track back in 2012 is massive, intoxicating and full of sound.  Also on the album is the second single Why I Wait which comes in sequence on the album.  Also, a little later in the album come some other quality tracks in Doubt and Cut It Out, both of which can be found on prior EPs.  Overall the album is a bit hit or miss, but still worth a listen and a penny for your thoughts, if only for the tracks listed above.

 

Lastly, I picked up an album that released back in 2004, the début album from UK band Kasabian, which also happened to be a self-titled release, Kasabian.

The band’s début album features the singles Reason Is TreasonL.S.F. and Club Foot and is a must own for any British Invasion fans new or old.  If you’ve never heard, or don’t recognize the band or tracks, I’d suggest giving it a listen sooner rather than later.

And finally, I will leave you with some new music.  First we have the first release off the upcoming new album from British band Alt-JHunger Of The Pine which released last week.  Second, is an incredibly enjoyable new track that also released last week by masked musician Slow Magic with his latest track Girls.  Be sure to check out both tracks as they are both fantastic.

 

And now, as always, here was everything acquired on this New Release Tuesday:

and be sure to follow on Facebook and on Twitter @AudiofileAkwitz at to get even more music updates that don’t make the posts.

Spotify Playlists:

-Akwitz

Now Playing:  alt-J – Hunger Of The Pine

 

Slow Magic – Girls